![]() ![]() ![]() ![]() Mullan's reputation was more than bolstered by his simmering, scene-stealing turn as Jacob Snell, and his presence was greatly missed throughout the series' barn-burner of a third season.Īgain, that was hardly a surprise for viewers who instantly recognized the Scottish actor on Ozark, as they've long studied his work in indie gems like Trainspotting (1996), Session 9 (2001), and 2007's unheralded gem Boy A (opposite a baby-faced Andrew Garfield). Though low-key isn't always the goal for Peter Mullan, the beloved character actor has spent the better of the past 30 years building an impeccable reputation in the movie biz for his devotion to craft, his skill at developing characters, and his genuinely magnetic screen presence. Most likely, you remember Garner for her work as the almost ill-fated Kimmy Breland in FX's spy drama The Americans, a near flawless series in which she was frequently one of the most intriguing supporting players. If you happened to miss Garner's work in those projects, it's entirely likely you remember her from a brief appearance in Frank Miller's and Robert Rodriguez's stylish comic book sequel Sin City: A Dame to Kill For, or for her heartbreaking performances as a terminally ill young woman in Netflix's beautifully bonkers miniseries Maniac. The actor earned her first big-screen credit with a supporting turn opposite future MCU star Elizabeth Olsen in the 2011 cult drama Martha Marcy May Marlene, and has continued to blaze a trail on the indie scene since earning praise for her work in the 2013 creeper We Are What We Are, 2015's Grandma (opposite the great Lily Tomlin), and the eerily timely 2020 drama The Assistant. Like many of her Ozark co-stars, Garner's rise to fame began in her teens. ![]()
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